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Title : Star Wars: The Force Awakens
Star Wars: The Force Awakens genre : Action, Adventure, Science Fiction, Fantasy
Star Wars: The Force Awakens crew : George Lucas, John Williams, Kathleen Kennedy, Rick Carter, Michael Kaplan, Ben Burtt, Gary Rydstrom, Dennis Muren, Lawrence Kasdan, Lawrence Kasdan
Star Wars: The Force Awakens release date : 22 October 19 9 3
Star Wars: The Force Awakens runtime : 136 Minutes
Star Wars: The Force Awakens Crew : George Lucas, John Williams, Kathleen Kennedy, Rick Carter, Michael Kaplan, Ben Burtt, Gary Rydstrom, Dennis Muren, Lawrence Kasdan, Lawrence Kasdan
Star Wars: The Force Awakens movie cast :
Harrison Ford, Mark Hamill, Carrie Fisher, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Lupita Nyong'o, Andy Serkis, Domhnall Gleeson
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Thirty years after defeating the Galactic Empire, Han Solo and his allies face a new threat from the evil Kylo Ren and his army of Stormtroopers. Star Wars: The Force Awakens 2015 review : So where were you when the Science Fiction cinema sensation ‘Star Wars’ took shape and captured the imagination of the massive global moviegoers’ escapist expectations back in 1977? Regardless of whether you existed thirty-eight years ago or not, the legend of George Lucas’ highly-heralded SF blockbuster that shattered box office records worldwide was automatically engrained in your cinematic psyche. Now nearly four decades later, the motion picture phenomenon that took place in ‘a galaxy a long time ago…far, far away’ has come to expand its entertaining promise and prominence even after numerous servings of movie sequels, television specials and other fanfare attributes that promoted the ‘Star Wars’ agenda throughout the countless years.

The modern-day arrival of yet another ‘Star Wars’ edition in the millennium movie-making age of technical and tactical brilliance is quite fitting and filmmaker J.J. Abrams is the right choice to helm this sacred film franchise and present a whole new litany of continuing adventurous narratives for a new generation of ‘Star Wars’ personalities dipping their tenacious toes into ‘the force of goodness’ battling ‘the dark side’ of authoritative evil.

In Abrams’s reboot ‘Star Wars: The Force Awakens’, the anticipation of enhancing and enlightening the reputation and respect of the Lucas landscape of stormtroopers, light sabres and of course the iconic ‘Star Wars’ returnees from the treasured trio of Harrison Ford (Han Solo)/Carrie Fisher (Leia) and Mark Hamill (Luke Skywalker) registers with a nostalgic blast of appreciation and exhilaration. ‘The Force Awakens’ is a sheer big screen celebration of majestic impishness and intrigue that will fortify the hunger of both casual and rabid ‘Star Wars’ fanatics. Indeed, the hype is warranted and Abrams, the mastermind of the big-budget movie sequelitis, is in top form as he triumphantly presents ‘The Force Awakens’ on a prized silver platter designed for its surging golden moments of charged ebullience.

In looking at the numbers game that is connected to the overall ‘Star Wars’ universe, it is hard to believe that the last prequel was released just a decade ago. Furthermore, it is mind-boggling that the aforementioned ‘Star Wars’ ‘royalty’ in Ford, Fisher and Hamill have shared the same space on film for the first time in over three decades since they last were featured in a ‘Star Wars’ movie together. Nevertheless, no one can deny that ‘The Force Awakens’ does not take the challenge in combining the remembrance of the ‘Star Wars’ installments of yesteryear with the fresh brand of current upstarts willing to engage in another boisterous saga that begins a whole chapter of compelling wonderment. The mix of veterans and novices in ‘The Force Awakens’ is quite interesting but the familiarity of the storytelling heft of good vs. evil is always a solid sell in the realm of the ‘Star Wars’ utopia.

The good news is that ‘The Force Awakens’ not only serves as a bridge that crosses both boundaries past and present in ‘Star Wars’ folklore but it taps into the masterful mystique that Lucas and company worked so diligently to showcase so historically some thirty-eight years ago. Still, some may have lobbied for a stronger storyline in ‘The Force Awakens’ as they may gently dismiss it as being merely thin in its premise while viewing it primarily as a launching pad to develop yet another series of movies to create the ‘Star Wars’ juggernaut for this current-day climax of warped speed wizardry. For those that want a basic outline of ‘The Force Awakens’ pulse it is as such where the beloved yet aging tandem of standouts Han Solo and Chewbacca (yes, good old hulking and walking hairball Chewie is back) is helping out heroic new bloods’ Rey and Finn (played by Daisy Ridley and John Boyega)’ in an effort to groom them for combating the emergence of Kylo Ren (Adam Driver), a villainous representative from the Dark Side of the Force.

Basically, ‘The Force Awakens’ is a grand and stirring homage to the prolific Science Fiction/space fantasy that dared to soar its ambitious wings while taking the old-fashioned concept of the good guys sparring with the bad guys and spinning a whimsical web of dark imperialism while searching for the intrinsic value of brotherhood. One cannot imagine the vitality of ‘Star Wars’ without the inclusion of notable and favorite characterizations that were instrumental in inviting a ravenous response to this filming phenom that has existed in your pop cultural lives for too many years to recount. In addition to joining top dogs in Ford’s Han Solo, Hamill’s Luke Skywalker, Fisher’s General Leia Organa (the former Princess Leia to all you old school ‘Star Wars’ enthusiasts out there) and Peter Mayhew’s Chewbacca, there is the welcomed presence of C3-PO (Anthony Daniels) as well. As for C3-PO’s newest sidekick BB-8, a mechanical rolling ball robot, he is the R2-D2 replacement that should easily win the heart of the kiddies looking for a cute contraption of a companion to treasure on the spot. It should be pointed out that ‘The Force Awakens’ is set 30 years from the last installment and thankfully this update has not lost a magical step since that time.

Anyhow, the First Order’s solar system mechanism needs to be destroyed and must be eradicated by the young talents in spunky and pretty Rey (think the athletic female version of Luke Skywalker) as she teams up with former stormtrooper Finn, a warrior with an uncharacteristic compassion for not killing any designated weak soul as instructed. Naturally, this duo (while under the tutelage of the mature and ragged-looking Han Solo) has their hands full as they clash with the nefarious General Hux (Domhnall Gleeson from ‘Brooklyn’) and his Special Forces protégé Kylo Ren that strikes an immediate comparison to ‘Star Wars’ most notorious bad boy in the deliciously ruthless Darth Vader.

Daisy Ridley's Rey and John Boyega's Finn are having a blast as the touted twosome out to save the day in J.J. Abram's celebrated STAR WARS reboot THE FORCE AWAKENS
Daisy Ridley’s Rey and John Boyega’s Finn are having a blast as the touted twosome out to save the day in J.J. Abram’s celebrated STAR WARS reboot THE FORCE AWAKENS
Thankfully, the majority of the audience may recall similar elements in ‘The Force Awakens’ that was touched upon in ‘Star Wars’ editions such as ‘A New Hope’ and ‘Return Of The Jedi’ where the same structure and theme of the plot points are somewhat revisited. As charming and stimulating as ‘The Force Awakens’ appears in its glorious presentation of being a beautifully shot and visually vibrant popcorn piece, the real find in Abrams’ spectacular space-aged spectacle is Ridley’s heroine Rey, whose emotional and physical commitment to this futuristic fable feels grounded in genuine suspense and praise. Ridley has legitimate game and carries this hot and heavy galactic actioner on her sturdy shoulders with the overwhelming pressure of headlining a cinema giant looking the re-enter the consciousness of rabid ‘Star Wars’ aficionados everywhere. Clearly, we are invested in Ridley’s Rey whose feistiness never undercuts her feminine convictions or courageousness. She runs circles around her male co-stars in fellow ‘Star Wars’ newbies Boyega/Finn and Driver/Kylo Ren and her sense of empowerment is what drives the authentic Force behind Abrams’ inherited ‘Star Wars’ workload.

‘Star Wars: The Force Awakens’ gleefully ignites the flashy flames of giddiness that we all associate with George Lucas’ indomitable big screen creation. The signature flourishes from composure John Williams’ commanding musical score to the stunning and innovative technical tweaking to the mixture of the old and new guard in front of the camera all make for an eventful and exciting return to the universal staging for a movie-making moment that will stand the test of time, the immense pop cultural movement at the movies known as ‘Star Wars’.

Star Wars: The Force Awakens (2015)

Lucasfilms

2 hrs. 15 mins.

Starring: Harrison Ford, Daisy Ridley, Carrie Fisher, John Boyega, Oscar Isaac, Adam Driver, Peter Mayhew, Domhnall Gleeson, Lupita Nyong’o, Andy Serkis, Gwendoline Christie, Kenny Baker, Anthony Daniels and Max von Sydow

Directed and Co-Written by: J.J. Abrams

MPAA Rating: PG-13

Genre: Science Fiction/Action and Adventure/Space Fantasy

Critic’s rating: *** stars (out of 4 stars)

(c) Frank Ochieng 2015
A very entertaining film filled with immensely fun nostalgic moments and lots of laughs, but this is movie is not perfect, no it is not.

**Spoiler alert!!**

This movie is an exact copy of the 4th one and this frustrates me more than it should. Although new characters and mysteries were introduced, the plot was too similar to the 4th film, but hey, at least they blew up the republic so no more boring bureaucracy!
One more thing that bothered me a lot is Kylo ren, not the character, the actor. I mean they couldn't pick an uglier wimp? I mean no offense Adam Driver, but bad guys need to look badass, and once you took of your helmet, you lost all hope of becoming a badass.

**Summary:**

Definitely a movie worth watching despite minor setbacks.
Slumber Earthquake.

There really is no point trying to do an in depth review of this, it falls in line with a number of series blockbusters that are guaranteed to garner rabid responses, pro and con.

The Force Awakens is a film of many flaws, it has a pungent whiff of safeness about it, the charges of it being a glitzy remake are fair enough, while certain plot strands are frustrating and set to be big talking points for years - and years - to come.

Yet what about its worth to someone who is not obsessed with every finer detail? Someone who just loves the Star Wars universe as a spectacle prism of entertainment, and has just wanted a Star Wars film worthy of being fit to sit alongside that original trilogy?

This made me feel 11 again, took me back to a time in 1977 when I queued for three hours to see such wonders on the big screen. The Force Awakens is, in spite of the recognised flaws, a loving homage to a past love. It's sly with humour and nods to foundations, a blitzkrieg of effects and sound work (my Blu-ray viewing had my sub-woofer doing a jitterbug in the lounge), and it doesn't shy from surprise or the dangling of the carrot.

The makers have big heart and technical invention, the cast vibrant, spunky and strongly committed to the cause - the old hands a very reassuring presence - Yeah, so it's not sci-fi perfection, or any Star Wars geeks' idea of the perfect Star Wars movie (oh J.J. Abrams you devil you!), but it made this middle aged guy shed a tear of happiness. A moment to reaffirm why - as a young lad - I fell in love with film in the first place. 9/10
**The Force Awakens: A New Hope 2.0**

The highly-anticipated follow-up to the Original Trilogy treads through familiar waters, taking the "safe route" approach. Though The Force Awakens has its fair share of phenomenal moments and is definitely an improvement over the Prequel Trilogy, its reliance on using the Original Trilogy (mainly A New Hope) as a template feels nothing more than an imitation of events that occurred prior.

At the end of Return of the Jedi, the Empire suffered a great loss, with the destruction of the Second Death Star and deaths of The Emperor and Darth Vader. It was implied that Luke, the last surviving Jedi, would restart a New Jedi Order (based on Expanded Universe media, which has been declared non-canon by Disney). That is indeed what happens; however, a rogue student of Luke's slaughtered his peers, seduced by the mysterious Supreme Leader Snoke of the First Order and adopts a new identity as Kylo Ren. In summary, the Jedi Order did indeed happen (off-screen), but gets wiped out (off-screen, again), leaving Luke the last surviving Jedi and retreats into exile (off-screen... seeing a pattern?). The Empire is basically resurrected as the First Order, with the Rebel Alliance becoming the Resistance, and once again, they're tasked with destroying a gigantic ball of death. Sounds an awful lot like A New Hope, as a modern-day "soft reboot."

Droid carrying top-secret info? Check.
Villain dressed in black with mask? Check.
Protagonist lives on desert planet? Check.
Discover that they're indeed Force-sensitive? Check.
Han Solo and Chewbacca escorting our heroes to destination? Check.
A cantina featuring a cantina band? Check.
Mentor figure (Obi-Wan in ANH, Han Solo in TFA) killed by villain? Check.
Battle of Death Star (Yes, I'm calling Starkiller Base a Death Star)? Check.
Does big ball of death get destroyed? Check.

Rey is indeed a Force-sensitive individual, but throughout the movie, she is just as good a pilot as Han Solo, is able to use a Jedi mind trick with ease, and easily overcomes the villain (Though it could be argued that due to Kylo Ren's injury from Chewbacca, he was weakened). There better be a damn good explanation as to why Rey is so strong with the Force when The Last Jedi is released. Anakin and Luke required training to become a Jedi, Rey is basically a pro with little to absolutely no training.

Finn... Though I did enjoy the idea of a Stormtrooper defecting from the First Order and eventually helping out the heroes, Finn got annoying quick. From cringe-worthy lines to his constant "Gotta get away from the First Order" state of mind, he should have been a more battle-hardened individual who eventually became disillusioned with the First Order. His more cowardly approach to defecting wasn't very well-executed. But I gotta admit that the relationship between him and Poe Dameron was well-done. Didn't feel forced, just felt natural. Him standing up to Kylo Ren in a duel made me respect his character a lot more. His battle with the other Stormtrooper was just amazing. I'm honestly hoping his character develops more in The Last Jedi.

I liked Poe Dameron from the get-go. From being a smart-ass to Kylo Ren to taking out multiple TIE Fighters, Poe is definitely a welcome new character to the Star Wars universe. Especially BB-8, just an absolute ball of cuteness. BB-8 was one of the two new characters that really stood out to me. Funny how Star Wars manages to make you like the droids so much.

Han Solo and Chewbacca play a substantial role in this film. Han Solo's death was beyond tragic, just seeing an iconic character we saw develop from a selfish, Force-denying individual to taking charge in dire times (putting his life on the line). Once Han Solo yelled out his son's name, I knew his time was up. Leia, now a General, doesn't really get much time to shine. She and Han have been broken up for some time now (I'm guessing since Ben Solo became Kylo Ren), but their bantering still remains. C-3PO (now with a red arm) and R2D2 (in low power mode due to Luke's departure) are basically given minimal roles in favor of BB-8. Luke Skywalker made an appearance in the very final moments of the movie, but does not utter a word. Just seeing his expression when Rey hands him his father's lightsaber was more than enough.

A quick summary of other characters: Captain Phasma, a more useless female version of Boba Fett. Maz Kanata, a color and gender-swapped Yoda who somehow manages to obtain Anakin's/Luke's lightsaber. Supreme Leader Snoke, a mysterious figure leading the new Empire (sorry, First Order) and first appears as a hologram (like the Emperor). General Hux, deliverer of a Hitler-like speech to his space Nazis.

Kylo Ren. In my opinion, Kylo Ren is the best part of the entire movie. Sure he worships his deceased grandfather Anakin Skywalker/Darth Vader and flips out into extreme tantrums, he is more than just an ordinary one-dimensional villain. He worships Darth Vader because he wants to carry on his legacy of killing the Jedi and achieve his intimidating status of being a ruthless individual. He is torn by both sides of the Force. He is indeed strong with the Force, stopping blaster shots in mid-air, freezing people in-place, and can probe the minds of others as a method of torture. His unstable crossguard lightsaber is appropriate for his uncontrollable anger and conflicted state of mind. Once he killed Han Solo, there is no hope for him returning back to the Light. He became a full-on evil person. I'm ready to see the damage he will do in The Last Jedi.

The action/set pieces were very well-done and that opening sequence with the raid on the Jakku village is one of the best and most chilling moments in all of Star Wars. The Battle of Takodana and the resulting battle was phenomenal and seeing Poe take out multiple TIE Fighters make him an exceptionally skilled pilot, even moreso than Luke. The final battle between Rey/Finn and Kylo Ren didn't feel choreographed at all, just felt like a battle between novices, unlike the highly-choreographed kicks and flips and lightsaber-twirling present in the Prequel Trilogy. Rey and Finn leaving Jakku in the "garbage" ship and the whole sequence through the Star Destroyer graveyard was beyond phenomenal.

Though The Force Awakens does indeed take steps forward to move the franchise forward into a new direction, it takes several steps back into familiar territory. And yes, it feels as if I have been ripping on this movie, but in my honest opinion, The Force Awakens is a solid entry to the Star Wars franchise. The action set-pieces were so well-done, the nostalgic factor of the Original Trilogy is prevalent, Kylo Ren proved to be a well-developed villain with room for improvement, and the relationships between the characters feels so organic and fluid-like, as if they're all cohesive with one-another.

My Rating: 7.5/10.0
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Star Wars: Episode VIII - The Last Jedi (2017) was just released, but my time didn't yet allow me to watch it. However, I do have time to review the film that started this new trilogy: The Force Awakens. At the time, it was my most anticipated movie of the year and I placed it second on the list of my favorite films of 2015 (just a bit below Mad Max: Fury Road).

So, yes, I do love this movie and it is definitely on the top3 of the saga! The cast choices are the undoubtful proof of the huge success that this film achieved. Daisy Ridley (Rey) is a massive discovery, her talent is limitless and she embraces her role like no other. She delivers a very emotional and powerful display, showing all of her acting skills. I can feel that she is 100% committed to her character and what a character to portray at your first big movie appearance.

Rey is excellently-developed throughout the film, she might mislead people into thinking she is just a mere scavenger, but once the movie gets going, she becomes an awesome character sharing some of the most epic moments in the whole runtime. She has an oddly mysterious backstory, which is going to produce theories and plot twists that I can't wait for, in the next films.

John Boyega (Finn) is a fantastic supporting actor and another great casting. He brings just the right amount of humor with some exceptionally delivered lines and his facial expressions and timing are perfect. Finn is going to be one of the audience's favorites for sure, his journey to encounter Rey is interesting and unique in the saga. In my opinion, it is his story that carries the beginning of the movie and that sets up a lot of characters and plot points.

Adam Driver as Kylo Ren ... Oh. My. God. What a performance! Driver is so subtle in the most meaningful moments but so compelling in the most menacing ones. He elevates Ren into a phenomenal antagonist with a splendidly written script. J.J. Abrams and co. do a wonderful job writing both the plot and the characters. Kylo Ren stands out, he is a multi-layered character with so much untold and hidden behind his personality and intriguing past. Once again, there are many theories and plot twists ahead that I'm drooling to know which one they are going to follow with.

Oscar Isaac is very exciting as Poe Dameron, another fabulous addition to the franchise. His character creates an honest bond with Finn and their interactions are pretty cool. They share some amazing scenes and Poe has all of the awesome X-Wing fights, which are outstanding. Supreme Leader Snoke (Andy Serkis) does not show up that much, but he definitely is a very threatening presence and a very well achieved motion capture work.

As for the original cast/characters, Harrison Ford has one of his best performances in the more recent years. Han Solo is one of his most popular characters and he portrays him flawlessly. Carrie Fisher returns as Leia and she offers a touch of reality to all of this. Every time she is on screen, everything becomes more realistic and tangible due to her graceful and humble display. Chewbacca has the usual funny "dialogues" with Solo and some glorious action set pieces.

BB-8 is what people feared the most since he could easily be annoying or irrelevant. Thankfully, he is another checkbox on the list of marvelous additions to the Star Wars universe. It is mind-blowing how a droid can provide so much laughter and terrific action scenes, he is unquestionably a toy worth spending your money on for Christmas. C-3PO also appears and elevates the level of nostalgia that everyone is already full of.

Moving to the technical aspects of the film, J.J. Abrams proves himself to every single person that doubted him since he is the main reason why this movie is one of the greats. From the seamless editing to the great camera work during the impressive action sequences, he enhances the story so much with his distinct use of visual storytelling. It feels like a real film and not just a Star Wars typical movie.

The visual effects are top notch and the cinematography could not be better due to the unbelievable practical backgrounds. Abrams uses a lot of long, wide shots with beautiful landscapes and mostly everything is real (besides the obvious, there is very few CGI, less than you probably think), which transforms every scene, every shot, into something more special. The tone is very well balanced between comedy and action, the storytelling process is astonishingly well handled and the pacing always maintains the tremendous excitement.

One of the common issues of all Star Wars films are the excessive exposition scenes. Well, J.J. massively improves on that aspect having just a couple of them and I am counting the traditional text that starts the movie. Like I said above, there is an extensive use of visual storytelling, in other words, everything that you see is giving you information while advancing the plot without actually literally telling you what is going on or what is going to happen.

John Williams' score continues to superbly accompany every scene, not only the action ones, but it also strengthens dialogues. I love the ending, but here is where both fans and critics are going to become very divisive. It ends with a huge cliffhanger and some people are going to be disappointed because they are left with this feeling of unfulfillment and if you don't know how to deal with it, you might think you didn't enjoy the film.

The truth is you can't have everything right now. This is a trilogy, so it is absurd to even expect that you are going to have everything that you wish for in the first movie of a new era. I wanted more from the second the film finished, I also felt a bit let down because the movie concludes with something I had been expecting forever. However, this is a great feeling to have because it means the film meant something, it means the movie was so amazing that I just can't wait anymore for the next one!

Nevertheless, The Force Awakens can't escape some minor flaws. While pretty much every single character is great, Maz Kanata (Lupita Nyong'o) is not. With so much practical effects surrounding every environment, a 100% CGI character is going to (negatively) standout. Besides, the whole subplot involving meeting with Maz feels a bit unnecessary and the story could have easily progressed without her.

However, my main issue with this film is its lack of originality when it comes to creating a new actual danger for the galaxy. I mean, the Starkiller Base is essentially another Death Star, just bigger ... Really? They couldn't figure out anything else besides another giant planet destroyer? It does not reflect J.J. Abrams' incredible direction and the production team's excellent work, at all.

Finally, there are some "problems" that I don't yet know if they are, in fact, problems. This is the first movie of the trilogy and some things happened that I don't know how or why they did, so I can't really fault the screenplay ... yet. We all know the huge plot device that Episode IV - A New Hope (1977) supposedly had for decades, but then Rogue One: A Star Wars Story (2016) was released and brilliantly solved what was already considered an internet meme.

This film does not have such a massive plot device, but there is one little moment that occurs in the first act that I still don't know if it is, in fact, a flaw or if there is an explanation waiting for us in the next movies.

All in all, The Force Awakens proves that the Star Wars franchise is still, very much, alive! This is easily one of the best films of 2015 and one of the best in the franchise. It features an outstanding cast with some excellent performances from the new actors joining the saga and powerfully nostalgic displays from the original members. Incredibly-developed characters carry this movie with the help of a mysterious and captivating screenplay, as well as a lot of visually exciting action sequences. J.J. Abrams has his stamp all over the film, with beautiful wide shots, massive practical effects, and exceptional use of visual storytelling. A cheap third Death Star and some very minor issues here and there don't allow the movie to shine flawlessly, but it is still freaking awesome! It undoubtedly belongs to my Top3, behind Empire Strikes Back and A New Hope.

Rating: A
**The following is a review that I originally wrote in 2015.**

Was it perfect?
No.

Was it basically a shot for shot retread of A New Hope?
Yeah.

Did it under-develop characters and plots of almost everything interesting to near Boba Fett-ian levels?
Sure.

Did the entire thing rely on about 47 ridiculously implausible complete coincidences that the story would have fallen apart without?
Sounds accurate.

But after more than three decades, is Star Wars finally back?
Damn right.

Apart from my just plain enjoying it, The Force Awakens makes me excited for the future of the franchise the first time in.. Well ever really. I liked the blend of new and old material, but I hope that moving forward, the series relies more on the new. I don't mean ditch all the original characters, I just mean we don't need endless callbacks to the past in Episode VIII. It worked fine for this one, and I totally get needing to re-acclimatise audiences, so I'm absolutely understanding of it in this case. But I hope they get away from that in future, and it seems very much as if that's the direction they're taking.

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A drama centered around the relationship between journalist Michael Finkel and Christian Longo, an FBI Most Wanted List murderer who for years lived outside the U.S. under Finkel's name. True Story 2015 review : James Franco delivers a good performance but the story is disconnected and doesn't explain the evolution of Hill's character. The problem is the script and the directing. You don't get to understand where the movie is leading to or why and how are the troubles of Michael Finkel.

The actual happenings give a good chance of telling an interesting story but this movie fails to do so.
**About a man who has nothing to lose and a man who can't afford another failure!**

It was based on the book of the same name, which was originally inspired by the real events. But there's a striking resemblance between this and the Truman Capote story. About a man who is serving in prison for slaying a family and his encounter with a reporter/writer. And so their relationship strengthens as they sit together to discuss about each others life event. That is the main film, which covers the majority of the film, but feels like they revealed nothing much, particularly for our convince, yet the story moved forward.

For the Truman Capote, there are two films, including the one I liked 'Infamous' and the other one is 'Capote'. Besides these two, there's another title called 'In Cold Blood' that reveals the other side of the event, before Truman enters the scene. So that's what I'm interested after watching this film. Because right now they preferred to portray a struggling writer and the crime parts were not given any importance. That means it is basically about a reporter/writer doing a story/book.

If they decide to make that one with the same cast as a prequel, then James Franco gets into an action which probably would give a good reason behind such crime where in this film the viewers can't end watching surely what really happened. Both, Jonah Hill and James Franco was really impressive in this. Felicity Jones had the small presence, but was in a main role. It was a feature film debut for the director and he was well managed to make it decently. Overall, for me, it was a good film, not the best, but can be watched once.

_6/10_

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Title : Woman in Gold
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Woman in Gold crew : Hans Zimmer, David M. Thompson, Jim Clay, Bob Weinstein, Harvey Weinstein, Simone Bär, Deborah Aquila, Giles Masters, Andrew Ackland-Snow, Gary Davy
Woman in Gold release date : 28 July 19 6 7
Woman in Gold runtime : 120 Minutes
Woman in Gold Crew : Hans Zimmer, David M. Thompson, Jim Clay, Bob Weinstein, Harvey Weinstein, Simone Bär, Deborah Aquila, Giles Masters, Andrew Ackland-Snow, Gary Davy
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Goosebumps crew : Javier Aguirresarobe, Danny Elfman, Jeanne McCarthy, Bruce Berman, Bill Abbott, John Frazier, Jim May, Ben Waisbren, Scott Alexander, Larry Karaszewski
Goosebumps release date : 17 November 19 5 5
Goosebumps runtime : 103 Minutes
Goosebumps Crew : Javier Aguirresarobe, Danny Elfman, Jeanne McCarthy, Bruce Berman, Bill Abbott, John Frazier, Jim May, Ben Waisbren, Scott Alexander, Larry Karaszewski
Goosebumps movie cast :
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After moving to a small town, Zach Cooper finds a silver lining when he meets next door neighbor Hannah, the daughter of bestselling Goosebumps series author R.L. Stine. When Zach unintentionally unleashes real monsters from their manuscripts and they begin to terrorize the town, it’s suddenly up to Stine, Zach and Hannah to get all of them back in the books where they belong. Goosebumps 2015 review : Well the Halloween season 2015 is upon us now and what better way than to cozy up to the youngsters at the box office than offering the innocuous tingly treat Goosebumps? The goofy-minded family-friendly frightfest does have the ingredients to muster up some interest for the little goblins out there looking for hearty rounds of boos and bumps. The question remains: does Goosebumps have the mindless macabre-related mayhem to sell its scatterbrained scary tactics to the trick-or-treat tykes looking for off-the-cuff jitters on the big screen?

Director Rob Letterman has armed the frivolous Goosebumps with aimless zaniness anchored on the nutty shoulders of the film’s leading kinetic kook Jack Black. Unfortunately, the loose presentation of combined live action and animation imagery put forth in Goosebumps seemed rather strained and misplaced. Sure, it is noted that Goosebumps reinforce a wackiness rooted in nonsensical hilarity…something considered safe and suitable for the kiddie crowd. Nevertheless, Letterman’s breezy kiddie creepy caper–even with the free-spirited Jack Black at the helm–registers with a lameness that would have some demanding youths rolling their eyes for something more hip and edgy.

Goosebumps is from the imaginative mind of R.L. Stine who has authored the vastly popular children book series while selling millions of copies worldwide. Stine’s aforementioned Goosebumps book collection for young adults (YA) have led to a successful Saturday morning cartoon series as well. Now Sony Pictures Entertainment wants to capitalize on the craze and tap into the youngsters’ consciousness with outlandish Pied Piper Jack Black heading up the charge in this toothless tale of juvenile high jinks.

One would think that Goosebumps could up the ante a bit with the backers involved such as screenwriter Darren Lemke (“Jack the Giant Slayer”) from a story by Scott Alexander and Larry Karaszewski. Both Letterman and Black collaborated on the dud Gulliver’s Travels thus corrupting the Jonathan Swift literary masterpiece with their big screen bomb. Black, who stole the show with his mini-sized co-stars in School of Rock, would be an ideal choice to appear in another children-themed entry mired in outrageous fortune. Unfortunately, Goosebumps merely chalks up its sketchy existence in being a jumbled ball of flimsy foolishness while never really connecting solidly with a cohesive story that brings the frenzied proceedings together. Besides, what could Goosebumps the movie offer in freshness that the countless Stine books and animated program had not touched upon before in its adventurous skin? The answer: not very much.

For teenager Zach Cooper (Dylan Minnette, “Prisoners”) the transition in moving to the bedroom community of Madison, Delaware from the hustle and bustle of New York is quite a letdown. Zach’s recently widowed mother Gale (Amy Ryan) relocates for a new job offer and Zach has no choice but to accept his new less-than-stimulating surroundings. However, the one discovery that is about to make Zach a little more accepting of his new home is the pretty neighboring Hannah (Odeya Rush). The main obstacle that stands in the way of getting to know Hannah, sadly, is her over-protective father in stand-offish writer R.L. Stine (Black). The flustered Stine has some major issues with the creativity process when conceiving his characterizations.

Soon Zach would have to join forces with the Stines and nerdy best buddy Champ (Ryan Lee,”Super 8″) when he accidentally unleashes R.L.’s monstrous creations onto the small unsuspecting town (it turns out that Stine’s fictitious beastly book protagonists are in fact real menaces come to life). Can Zach and company save the day as these bothersome pests roam the unprotected streets at will? Will Zach earn extra brownie points in winning Hannah’s heart as well as her reclusive father’s approval?

It is a mixed bag reception for the scattershot Goosebumps. On one hand many of the ardent followers of Stine’s written work will recognize the inclusion of some familiar notable villainous visitors that feature The Abominable Snowman of Pasadena, Revenge of the Gnomes and Werewolf of Fever Swamp (let’s not forget Slappy the evil ventriloquist too). Plus, some would consider it a bonus in having Black’s unflappable voice-over work earmarked for some of the standby monsters wreaking havoc in random fashion. The CGI special effects register with some semblance of awestruck momentum. Still, the manic moments piggyback one another and the cheap giggles, sight gags and punchy predicaments feel needlessly forced.

Strangely, Black seems somewhat restrained as Robert Lawrence Stine. In fact, Jillian Bell’s off-the-wall Aunt Lorraine is more of an energetic comical force than the usually high-strung Black. Both Minnette’s Zach and Rush’s Hannah are somewhat serviceable as the Romeo-and-Juliet tandem but they could have played up their on-screen chemistry more charmingly than what was presented by them in inexplicable blandness. As for the supporting adult players they arbitrarily pop in and out without a chance to fully realize their contributions in this flimsy farce geared at the indiscriminate pee wees.

Perhaps the tots will get a decent rise out of the jolly emptiness that is Goosebumps. As for the rest of us we will probably get a better result in sucking on last year’s recycled stale Halloween candy.

Goosebumps (2015)

Sony Pictures Entertainment/Columbia Pictures

Starring: Jack Black, Dylan Minnette, Odeya Rush, Amy Ryan, Ryan Lee, Jillian Bell, Ken Marino, Halston Sage, M.L. Stine (cameo)

Directed by: Rob Letterman

MPAA Rating: PG

Genre: Children’s Horror and Fantasy

Critic’s Rating: ** stars (out of 4 stars)
> Not a unique concept, but the rest were completely surprised me.

Technically, this was a another version of 'Jumanji', but a different universe. Originally it was not meant to be like that, because it was adapted from a series of children's book of the same name into a single movie. All the characters from the different books (book series) brought into one place, thus 'Jumanji' effect.

When the fictional book characters come into the life, a group of youngsters team up to save the town from invasion. A tale that takes place in one day, especially most of the narration was a one night adventure. Totally an unexpected movie, but still not a masterpiece than just entertaining product. Maybe the actors were the reason, especially inclusion of Jack Black was the turn out. His second collaboration with the director after 'Gulliver's Travels'. And not to forget the CGI work was very acceptable for a little production like this.

This theme was a very old, but the characters were unique. Maybe it was a box office lucky, but people won't simply acknowledge for useless things. This film's success was the effort of hard work. I won't surprise if they decide to make a sequel. I meant the same team, not the lower grade filmmakers and actors.

6½/10
She's locked in this house and her dad's a psychopath.
I have to say that being British born and bred I'm not at all familiar with Goosebumps, either the books or TV series etc, so I was going into this film blind as it were. With that in mind I'm not really able to review to fans of the original works.

I went in with the hope of a good time, I liked the sound of the concept, I like Jack Black and I knew it was going to be well produced and no doubt heavily laden with the latest technological effects (ironically I had watched the splendid Jason and the Argonauts prior to Goosebumps, from one extreme to another or what?!).

I got everything I expected and had fun without any frame of reference. If I wanted any more I could dig out some questions that would need to be answered, but why bother. I left at the end, as a middle aged film lover, contented. I would for sure keenly watch any sequel if it surfaces.

Didn't do much for my Automatonophobia though... 6.5/10
I loved the _Goosebumps_ books (and less so, but still, the TV show) when I was growing up. I think if a kid watches this weird interpretation now, at the age that I was then, they might enjoy it. But for me? It didn't work. I actually did appreciate more than I thought I would, but based on the trailers my expectations were **abysmally** low, so that's not exactly saying much.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
I loved the _Goosebumps_ books (and less so, but still, the TV show) when I was growing up. I think if a kid watches this weird interpretation now, at the age that I was then, they might enjoy it. But for me? It didn't work. I actually did appreciate more than I thought I would, but based on the trailers my expectations were **abysmally** low, so that's not exactly saying much.

_Final rating:★★ - Definitely not for me, but I sort of get the appeal._

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Regression release date : 7 January 19 6 9
Regression runtime : 106 Minutes
Regression Crew : Sonia Grande, Jina Jay, Bob Weinstein, Harvey Weinstein, Carol Spier, Roque Baños, Elinor Rose Galbraith, Fernando Bovaira, Alejandro Amenábar, Alejandro Amenábar
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However, the story is an anti-climax one. Amenábar builds an atmosphere that promises a lot more than it delivers. In the end, it is just the only logical and down to earth story with unrolls well but it just drives the spectator to boredom.

Good from the philosophical and logical point of view. Bad from the show perspective.
> When the case needs a physical evidence, but it can't reach to get one.

Well, it is an investigation theme, something like the Oscar winner 'Spotlight'. After a teen girl Angela was reported of the sexual abuse, a detective named Bruce takes a special interest in solving the case. With the help of a psychologist, lots of ugly truth comes out. But the lack of the solid evidence makes the case slowly slip away from his hands. While his desperate effort to find whoever behind it, it only affect more Angela and her family. So how the story end is told with a twist in the third act.

It was inspired by the real events of the late 80s. About the rise of the Satanic culture when panic was among the peoples of the United States. One of the best investigative films, with well developed mysteries around the plot. I found hard to predict, especially the twist was simple, but unexpected. Ms Watson was okay, but Ethan Hawke was excellent. From an awesome filmmaker, another wonderful film, yet not anywhere near to his other great works.

Whenever a film based on the real, especially about crimes reveals the truth, we the people believe it and pour our supports to the victim. In that perspective, this film tests our capability to understand between the good and bad. Sometimes the things are not what it is supposed to be because of the overlook. Such theme was this that neatly narrated on the screen.

I know this is not a masterpiece, but I don't understand why it is very underrated. This is actually a better psychological-thriller you would find in the recent time. Forget what the critics say, just give it a try, obviously it is slow, but in the end you would find it worth, at least most of you.

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Help, I Shrunk My Teacher release date : 23 October 19 3 1
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Son of Saul release date : 18 August 19 6 8
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Scouts Guide to the Zombie Apocalypse the movie 2015 showtimes complete download uhd online stream 720p online english sub Scouts Guide to the Zombie Apocalypse song, Watch Scouts Guide to the Zombie Apocalypse full movie online now.Three scouts and lifelong friends join forces with one badass cocktail waitress to become the world’s most unlikely team of heroes. When their peaceful town is ravaged by a zombie invasion, they’ll fight for the badge of a lifetime and put their scouting skills to the test to save mankind from the undead.,what are Scouts Guide to the Zombie Apocalypse movies in order Scouts Guide to the Zombie Apocalypse synopsis full movie Scouts Guide to the Zombie Apocalypse 2015 HD Movies, Full Length Movie
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Title : Scouts Guide to the Zombie Apocalypse
Scouts Guide to the Zombie Apocalypse genre : Comedy, Horror
Scouts Guide to the Zombie Apocalypse crew : Joseph Middleton, Todd Garner, Samson Mucke, Nathan Amondson, Jim Page, Christopher Landon, Christopher Landon, Andy Fickman, Brandon Trost, Lona Williams
Scouts Guide to the Zombie Apocalypse release date : 9 September 19 8 5
Scouts Guide to the Zombie Apocalypse runtime : 93 Minutes
Scouts Guide to the Zombie Apocalypse Crew : Joseph Middleton, Todd Garner, Samson Mucke, Nathan Amondson, Jim Page, Christopher Landon, Christopher Landon, Andy Fickman, Brandon Trost, Lona Williams
Scouts Guide to the Zombie Apocalypse movie cast :
Tye Sheridan, Logan Miller, Joey Morgan, Sarah Dumont, David Koechner, Cloris Leachman, Halston Sage, Patrick Schwarzenegger, Sara Malakul Lane, Blake Anderson
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Three scouts and lifelong friends join forces with one badass cocktail waitress to become the world’s most unlikely team of heroes. When their peaceful town is ravaged by a zombie invasion, they’ll fight for the badge of a lifetime and put their scouting skills to the test to save mankind from the undead. Scouts Guide to the Zombie Apocalypse 2015 review : We certainly get the inside joke about wanting to skewer something as raucous and ridiculous as lambasting nonsensical and numbing grade B horror flicks that are worthy of such scrutiny. After all, the temptation is just too much to resist in not exposing such throwaway thrills of intentional insipidness, correct? Plus, incorporating a mixture of smarmy filth and frolic involving menacing zombies, hormonal teens, bouncy bimbos and any other fright-driven clichés that one can think immediately off-the-cuff should be enough to satisfy the creepy concoction of craziness, right? Well wrong...especially when the experimental goosebump gags fall flat and feel synthetically repetitive in the over-indulgent and inane fear farce Scouts Guide to the Zombie Apocalypse.

Sure, some will automatically gravitate to the outlandish Scouts Guide to the Zombie Apocalypse and invite the spirit of the movie's manufactured foolishness as an elaborate playful put-on. In many ways, co-writer/director Christopher Landon wants to promote the silly-coated salaciousness of his teasing teen-oriented terror tale with a sly wink and anticipates that the audience will embrace Zombie Apocalypse as an unconventional, naughty-minded tangy treat for giddy thrill-seekers. Sure, Landon's off-kilter humor horror show is meant as an escapist ruse and wears its badge of honor as a brain-dead flesh-and-blood fright fable garnering cheap chuckles. Nevertheless, Scouts Guide to the Zombie Apocalypse feels relentlessly lazy, mean-spirited and connects as a raunchy wasteland of sluggish juvenile jolts and jabs.


There is no excuse for Scouts Guide to the Zombie Apocalypse to present such a witless, misplaced macabre mess. In an age where spoofing zombie flicks in cinema can be high-minded and heralded in both creepiness and creativity in the shadows of such riotous offerings as Shaun of the Dead and Zombieland, it is inexplicable how something like the rancid and toothless Zombie Apocalypse can be so arbitrarily clueless and contemptible in its strained search for crafting off-balance laughs. Again, it is realized that zombie cinema--however serious or silly-minded--is not exactly on the food chain of being considered a viable selection for the American Film Institute anytime soon. Still, there should at least have been some sense of smartness and perception injected in the aimless zaniness that Zombie Apocalypse emits routinely in its languished lunacy. Instead, Landon and his fellow screenwriters invite a series of empty-minded shock value shrills to the proceedings and hopes that the viewers will embrace the cluttered chaos without question. Sadly, some will do just that (read: the indiscriminate teen demo in general) as they will go with the flow and bask in the baseless swamp of tasteless titillation. Consequently, Scouts Guide to the Zombie Apocalypse is about as adventurous, amusing and intriguing as a medieval stoning in a rural town square.



Undoubtedly, Scouts Guide to the Zombie Apocalypse needs the approval of its boys locker room impishness to feature such graphic and goofy-minded displays of sexual body part piercings to pad the already morose stupidity put forth in desperate vain. If your idea of horror-minded high jinks include the subjection of zombie-related severed penises and constant groping of female breasts then guess what...Zombie Apocalypse will certainly satisfy one's hormonal guilty pleasures in a heartbeat. In addition, it pays to also have some stunt casting and add to the dumb cheekiness where the likes of the once celebrated Oscar and Emmy-winning veteran actress Cloris Leachman serves as the token oldster to certify the gimmicky warped proceedings (perhaps Leachman's former Mary Tyler Moore Show co--star in the beloved pop cultural and iconic Betty White was not available to sign on the dotted line for this teen terror train-wreck?).

The premise, while highlighting the gore and boyhood gratification of wet dreams, involves a group of youngsters that belong to a scouting organization while being taught the efficiency of leadership and self-reliance. Naturally, these boys will put their merit badges to the test as they must combat the overflowing presence of threatening zombies that are infiltrating their small community. Not only must these adolescents learn to battle each other competitively and tackle their own nagging growing pains but know they must band together and slaughter the walking dead menaces that look to make some serious ominous waves within their bedroom town.

The teenage terminators that are called into action are Ben, Carter and Augie (played by Tye Sheridan, Logan Miller and Joey Morgan). Of course this trio fits into the distinctive archetype of youth labeling. Ben is the clean cut kid with some semblance of sensibility. Carter is a handful as the insufferable horndog. Lastly, Augie is the geeky hanger-on. So there you have it--the mini-sized Three Musketeers out to destroy some zombie butt and take down numbers in the process.

The feminine eye candy wrapped up in this monstrous madness includes Carter's sister Kendall (Halston Sage). Kendall also serves as the convenient object of affection for the love-struck Ben. And what would a horror flick be without the resident curvaceous gun-toting, butt-kicking beauty with the killer instinct of zombie zapping? In this case, that role would go to strip club siren Denise (Sarah Dumont) whose skill in eradicating the zombie pests as she struts around like an armed jiggly cheerleader in heat becomes increasingly distracting (or maybe not for some that might find this bombastic and busty Barbie Doll lustfully "liberating").

The boys' scout leader (former Saturday Night Live alum David Koechner) is the accident-prone wonder whose penchant for overcoming various injuries is supposedly laughable yet the joke of his clumsy confrontations quickly tires out and grows old. However, the scout leader is essential to the storyline for the tykes because he suffers the fate of becoming one of the zombies that needs to be destroyed. It certainly does not help matters any when poor Kendall's safety is jeopardized and the boys (especially Ben in particular) along with Denise's assisted brashness must rescue Carter's pretty sibling and protect the town's masses from the zombie intruders.

For the most part, Scouts Guide to the Zombie Apocalypse is a woefully tepid tease that does not care much about its sloppy execution. The scattershot script constructed by Landon and fellow scribers Carrie Evans, Emi Mochizuki and Lona Williams vacillates back and forth in complete cartoonish chaos and it is never clear as to why any of us would want to put stock in hoping that the periled protagonists of this banal roguish romp emerge victorious? The combination of humor, sentimental vibes and sketchy scare tactics overlap and is perceived as annoyingly inconsistent. The deplorable and disposable foundation for the sexual depiction of the females in Zombie Apocalypse is insulting and does not invite any sense of truth or revelation besides flashing feminine skin for the sake of giving this horror hiccup some trivial sauciness. The hoards of zombies being butchered in some imaginative selective scenes is at first kind of challenging in an offbeat, exaggerated sort of sinister way. The repetitive slaughtering gradually becomes off-putting and you are left wondering rather or not you were better off chopping off your own limbs for enduring this boisterous bomb in the first place.

Hopelessly choppy and chintzy, Scouts Guide to the Zombie Apocalypse could have been stunningly irreverent and still carried out its nuttiness with a coherent slice of clever mockery attached to its brand of mayhem. The zombies genre seems all the rage now within today's pop cultural climate. Of course with the continued disconnected gory gumption of damaged duds such as Apocalypse the future invitation of visiting the zombie zone in entertainment may become as extinct as the dinosaur.

Scouts Guide to the Zombie Apocalypse (2015)

Paramount Pictures

1 hr. 33 mins.

Starring: Tye Sheridan, Logan Miller, Joey Morgan, Sarah Dumont, David Koechner, Halston Sage, Cloris Leachman, Patrick Schwartzenegger

Directed and Co-Written by: Christopher Landon

MPAA Rating: R

Genre: Horror and Suspense

Critic's rating: * 1/2 stars (out of 4 stars)

(c) Frank Ochieng (2015)
> Scouts guide to the night of the living dead.

At first I believed it was a children's horror movie, I have not even known it was rated R. In the opening scene itself convinced me that it's going to be aggressive as the progression commence. Yeah, it lived up to my last minute expectation. A fine time pass movie for the regular audience, definitely it won't suits for the critics' viewing.

When the three friends find virus outbreak in their town that turns everyone into zombies, they plan to make into a safe place along saving a few others in their attempt. Surely this is what every zombie movie you have seen dealt with. The same old adventure in zombie theme, but the characters and the scenarios were different with lots of fun. I was surprised at that part, surely a cult status will be tagged for it.

Overall movie was decent, but being a horror-comedy was its strength. Just leave the logics behind and enjoy the entertainment it offers. In the end you will be convinced for your patience. It is the movie you might like it, but can't give full marks. One of the many reasons was, it is not a mainstream actor or the filmmaker's film. But still the entire team was awesome, and delivered its purpose. It was not a box office hit, but still I expect there will be a sequel.

7/10
I thought this film would be a cross between 'Superbad' and 'Zombieland'. I think I was too accurate. There is nothing original about this film. I suppose originality is not what you are looking for when sitting down to this film which is fair enough but every single character has been ripped from the pages of previous 'teen' movie scripts that have gone before it and the humour doesn't even make it stand out.

The story does move on slightly from the tiresome quest of American teenagers wanting to get laid when the zombies appear (spoiler alert!) which kept my interest slightly. The over-the-top gore was fun but only distracted me slightly from how poor the other aspects of the film were.

Overall, the screenplay and performances are nothing to write home about but it was quite well directed.

★★½
Literally the very last line of the entire movie made me laugh, that was the first time I'd laughed too.

_Final rating:★½: - Boring/disappointing. Avoid where possible._

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